Please note: if an earlier link doesn't work, it may have changed following an update! Check the Category Labels in the side-bar on the right! There you can find animator drafts for sixteen complete Disney features and eighty-six shorts,
as well as Action Analysis Classes and many other vintage animation documents!

Thursday, October 22, 2009

Prod.2001 - Snow White & the Seven Dwarfs (III)

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Seq. 3-B "Snow White meets Animals"
- We again meet Jack Campbell and Tony Rivera (see the comment to yesterday's posting about them), as well as Ham Luske and Grim Natwick, animating Snow White. Animals by Jim Algar, Eric Larson, Milt Kahl, Bernard Garbutt. [Max] Gray's name appears again...

It is interesting to see how some information that normally would not appear on a draft is given, like the Double Exposure (DX) percentages for shadows. Also, where the Pinocchio draft just notes "MP," here is specifically written out "(Multiplane)." Obvously, scenes were added between 15B and 15C. But "15BBBBB"?

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Wednesday, October 21, 2009

Prod. 2001 - Snow White & the Seven Dwarfs (II)

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Seq. 3-A "Snow White & Huntsman - S.W. into Woods"
- First, Grim Natwick animated Snow White, Ham Luske the Huntsman, and the little bird by Eric Larson. Then Jack Campbell and Tony Rivera take Snow White into the woods...

NB: The numbers in the Director area indicate the number of the sequence if they were in numerical order instead of 3-A, 3-B etc.

[Addition: please note the comments! It is well-known that things were cut from the film even after the December 21st, 1937 premiere, and the draft has info for the so-called "deleted scenes" like the dwarfs' bedroom fight and the soup sequence. I do not have the film here where I am, so I will rely on your comments to tell me where the draft differs from the actual film!]

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Tuesday, October 20, 2009

Prod. 2001 - Snow White & the Seven Dwarfs (I)

It has been some time since my last posting. Since I currently am in Denmark where my feature drafts reside, I thought it would be time to look at Walt Disney's first, most personal and maybe greatest feature film "Snow White and the Seven Dwarfs."

Now - this blog is called A. Film L.A., and I also intend to show highlights of 21 years of A. Film history in the next months, as I uncover them in our archives.

But first, here is the first installment of the draft to Snow White. The new Blue-Ray disc may have given new life to the film, but the producers have again missed the boat with the draft info, readily available to them, as they could have added this as a subtitle track throughout the film, for all to see and learn from. Now it seems that I have to do this, instead - again. Ok, here we go:

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Seq. 1-B "First Queen & Mirror Sequence"
- Woolie Reitherman's mirror and Art Babbitt's Queen
Seq. 2-A "S.W. & the Prince in the Garden" - Song: "I'm Wishing"
- Jack Campbell, Grim Natwick and one scene by Marc Davis (Snow White), Milt Kahl & Eric Larson (animals), Paul Busch (Reflections of Snow White)
Seq. 2-B "Queen Orders Snow White's Death"
- Art Babbitt (Queen) and [Max] Gray (Huntsman)

We can read in several sources about the usage of rotoscope in Snow White, and it seems to have been considered a "savior" by the folks in the production department. The usage on Snow White was pretty much as we used to work with Don Bluth on "Troll in Central Park," where we were supplied with (photo)stats, and then had to draw the characters on separate sheets in their proper proportions over those. On the other hand, the Prince was pretty much traced precisely, much like the Fleischers used to do. At its best, which was most often the case, it cannot be detected. Even with the rotoscope, Snow White is a beautiful film, and the sequences that came straight out of the animators' pencils rank among the highlights of the craft.

One of the things I would like to lay to rest in my postings in the idea that Grim Natwick was "pushed out" by Ham Luske in the draft. Grim is credited for about half the scenes with Snow White, and it is interesting to "Spot the Grim or the Ham," for where Ham drew a child, Grim drew a young woman. At the D23 expo, it was pointed out by one exhibitor that there is one scene where one can see Snow White evolve from Ham to Grim to Ham - or was it the other way around? Try and see for yourself!

The standard disclaimers are, of course, in effect. This means that a draft was NOT meant as a historic document. It was a go-to list, and if anyone needed to speak with the person responsible for a certain scene, this was the listing that named that person. It is possible that, when Grim left, the name on the scenes he worked on that were not finished at the time was changed to Ham, as I believe Culhane was exchanged for Norm Tate in the Pinocchio draft. Not out of spite or to gather credit, but to have a person to go to for an assistant, an inker or a painter with questions. drafts can also have mistakes, we know this. Also, not always is the Directing Animator credited. Example: Bambi on Ice, animated by Frank Thomas, has his name on only a few of the scenes, but he was responsible for the entire sequence. I hope this clears things up a bit...

More A. Film things very soon!
And remember, I really like comments, especially when they help illuminate things some of us may not have thought of!

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Thursday, September 24, 2009

The Walt Disney Family Museum

A quick note from the road: the Walt Disney Family Museum in the Presidio in San Francisco is simply AMAZING! If you plan a trip, you will not be disappointed! I had the good fortune to attend one of the previews today, and I am still overloaded with new experiences, new things to see, new knowledge to gather. My favorite item? There are many, but one that stands out is a kind of "missing link," a message from Walt to Roy during the recording of the music for Steamboat Willie, describing the bouncing ball and "stick back-and-forth" system for synchronizing the music to the picture that I described earlier!

You MUST come and see all these fantastic artifacts; you will get a new understanding of Walt Disney, the man! The museums opens officially on October 1st.

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Wednesday, September 16, 2009

D23 Expo Recap

Though there was less traveling involved in the D23 Expo than in Comic-Con, it was no less hectic, fast-paced and exciting.
As was to be expected for a first venue, there were a few hitches, timing problems etc., but in all it was a remarkably wonderful four days, with lots of surprises, celebrities and interesting events.

Mind you, I was already a D23 convert from the outset, as one could quickly calculate that four expensive-to-produce magazines (4 x $16 = $64) and a free trip to UP (with celebrity appearance) for two (2 x $11 = $22) easily covers my $75 membership fee.
But the Expo was, of course, a separate deal, four days in the Anaheim Convention Center especially for the fan community.

It did give the fans quite an interesting peek into the thoughts of the different divisions and showed which of them likes their fans (Walt Disney and Pixar Studios, Archives), and which seemed to not care much (Disney Channel).

It also showed me the qualities of a REAL star. I can mention the wonderful voice of Sleeping Beauty, Mary Costa, who stayed after the late night screening of the film to sign autographs and meet her fans, though for her it was 2:00 AM. She did not need to do this, but she asked if it would be OK...

What grabbed me was that there was hardly a feeling of "pushing the Disney brand." Instead I felt that things were done especially for us the fans, with celebrity appearances of original Mousketeers, famous A-list actors as Johnny Depp (in pirate costume), Nicolas Cage, the John Travoltas, Robin Williams receiving one of ten Legends Awards, as did Don Iwerks. I must admit that I was especially glad to see retired Buena Vista International's exec Harry Archinal on stage receiving his Legends Award, as Frank and Ollie talked about him as if he was their best friend!!
Harry Archinal

Things to remember for next time:
- More time to roam the floor: longer hours, and maybe a preview night like Comic-Con...
- When you invite writers, invite their books as well, and have the signings right after their presentation, not hours before when few know what it's about...
- Steven Clark is the magazine's figure-head - I met him at Comic-Con and he seems to be a very nice person - logically, he should have been introducing the keynotes, as well as capping off the event with a thank-you, to put a face on things, making it an even more personal, less corporate experience...
- In rooms where the back rows cannot see the podium (e.g. Stage 23 and Storyteller), use video stream of the goings-on on the podium on the side screens...
- Do not plan similar events for similar crowds at the same time - but I am sure this is obvious...
- Leave more time between events! When we were done with the Lost Chords, the big auction we wanted to see had started...
- Make the Expo info available on a non-Flash site for mobile users...
- Hang tags instead of armbands, like at Comic-Con...

But these things aside, I had a great time, it was even more fun than I expected. I look forward to next year's event, hopefully again in the same venue, as it was perfectly suited for this event!

As to our Lost Chords concert, I found that someone posted a medley on YouTube - look for "D23 Lost Chords"! I'm the one in the burgundy shirt, the only non-Disney-Castmember of our ensemble. Thanks to everyone who commented positively! It was a LOT of fun to do!

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Tuesday, September 08, 2009

Walt & El Grupo

Walt&ElGrupo
Wednesday last week I had the good fortune to see Ted Thomas' wonderful new film Walt and El Grupo, as part of an audience that could boast of more Disney legends (or their offspring) than at any other recent event. The film is a documentary telling the story of the trip through South America that Walt and his staff made during ten weeks following their departure on August 11, 1941. Above poster will be for sale after the film officially opens tomorrow September 9th in the AMC in Anaheim! More dates on the official site!

Amazing historic footage and modern visits to the sites of 1941 are interspersed with interviews and readings of letters sent by the members of Walt's group to their family, as well as never-before-seen artwork. My favorite shot shows the group leaving the animation building in beautiful colors, with Ward Kimball, Ollie Johnston and Milt Kahl waving their goodbyes - Kimball looks like he thinks "yeah, right, why am I not coming, too?" Go see it!

The Argentinian caricaturist Ramon Columba is prominently featured in the documentary. In the July-September 1941 issue of the magazine Páginas de Columba we find Columba's own sketches of Walt and most of his staff.
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The only ones missing are Lee Blair and Herb Ryman...
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The last image seems to caricature two of Buenos Aires' newspapers: the text, translated to English reads roughly: "Walt Disney came to Buenos Aires in search of characters to take to the screen. We presented him with the two most typical of our country: The Chronic Duck and the Creole Mule."

We also find this photo of (l. to r.) Walt Disney, the Argentinian president Dr. Ramon Maria Ortiz (who already at this time due to diabetes had given up his powers to vice-president Ramón Castillo and died a few days after resigning office the following year), Ramon Columba and Douglas S. Clark (whom I do not know more of).
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Will I see you at the D23 Expo? I'll be at the Disney's Lost Chords presentation on Saturday afternoon!

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Wednesday, September 02, 2009

Prod. RM9 - Mickey's Trailer

Another classic! I bet everyone has seen this film.
Animation by Louie Schmidt, Johnny Cannon, Don Patterson, Gerry Geronimi, Tom Palmer, Cy Young (effects), Frenchy de Trémaudan and Ed Love.

Directed by Ben Sharpsteen, released on 3/6/38.
This draft dated 1/19/38...
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Excuse my erratic posting - things are crazy busy, with the upcoming D23 and our Lost Chords concert there on September 12th!

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Thursday, August 20, 2009

Two Alices and Me

A few days ago the sad news reached me that Virginia Davis, "Walt Disney's First Star" had passed away.

I finally got a moment to find the following picture, taken at the opening of the Walt Disney Archives Library on the second floor of the Frank Wells building, April 30th, 2007. From the left, Kathryn Beaumont Levine, voice of both Alice in Alice in Wonderland (1951) and Wendy in Peter Pan (1953), then Virginia Davis McGee and lastly, myself. I thought it was fun to have my picture taken with two ladies who both played Alice.

Since Mrs. McGee, Virginia Davis, was Walt's star in 1923, I had hoped to see her get proper recognition at the D23 Expo next month, but this was not meant to be...
Disney Bowling Teams<< Click to enlarge!

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Monday, August 03, 2009

Bowling, anyone?

When Ub Iwerks reached a perfect 600 score, he stopped bowling - we learned this from his granddaughter in the book and film about him. But who else was playing?

Here is the score for the matches played by the Disney bowling teams at the North Hollywood Bowling Center on June 5th, 1946. Ub was still playing, and with a high score of 478 he was above average, but the individual series winner was Jack Parr with 581 points. The LIL-TOOTS did best for the team series.

Notice the fact that there were 13 teams of five players, one of six, making a total of 71 players! Let's have a look at who was playing...

On the DUCKS we find Ub Iwerks, as well as Virginia Clemens from the Process Lab and Irene Kuhnert who at the time was in 1A-16;
The MICKEYS have Ham and Frances Luske, and John Walker. In 1946, there were 2 John Walkers, one in 1G-1 and one in 1G-14;
The DUMBOS have assistant director Mike Holoboff, Bob Power from 1E-8 and Joe Mickey from 1A-15;
The LIL-TOOTS have an interesting combination! Animator Harvey Toombs married Leota Wharton - later Leota Toombs, who became a well-known Imagineer and model for Madame Leota in the Haunted Mansion. Their daughter Kim Irvine is currently in charge of color-styling Walt's original Magic Kingdom! Did they meet on the bowling team? Their rooms at the studio were next door to each other at this time, while the year before they were in separate wings! We also find Gus Jekel of 1D-11 and Robert West of 1A-14;
The MARTINS have Paul Scanlon of 2E-10, Norma Oster, Margaret Bazar and Paul A. Jones, all three of 2E-11, and Ray Keller who resided in room 105 in the Ink&Paint building.
The COYS are Doris Clifford in 202 I&P, Animation Legend Les Clark of 1B-5, Bob Stockley from the Tabulating Department, Frances Wood from 104 I&P and Larry Tryon of 108 I&P;
The HEP-CATS with Philip (and Eadie) Hoffman of 3D-24, and animators Bill Justice of 1C-9 and Ed Aardal of 1G-9;
The CASEYS include Myrna Myling of 1E-26, animators Earl [Elmer Alden](and S. [Sereene Azil]) Combs of 1F-2, Dick Lucas of 1G-2 and Jack Parr of 1E-8, the winner of the evening;
The DOPEYS have Joe Morrison of 1G-10, B. Hedding is probably Beulah Herring of the Library, D. Lachel of 2E-4. There was a Maurine Wilson at the studio in 1946...
The WOLVES have Jack Nuding of 2A-8, Kathlen Roden of 104 I&P and Al Amatuzio of 2G-9;
The PANCHITAS have animator Phil Duncan of 1G-13. There were several Grants at the studio, but no A. Grant; same goes for the Fergusons;
The GOOFS have sectretary Dolores Koch of 2B-2, Dotty Grant from Camera and A. Dovack I presume is Ann Dvorak of 1C-2;
The THUMPERS have no players who appear in the directory, and
The PLUTOS have only Wilma Horn of 3D-24.

In other words a little over half the players, 39 of the 71 to be precise, seem to have been working at the Disney Studios at the time. Well-known folks, too, for readers of this blog: Ub Iwerks, Ham Luske, Harvey Toombs, Les Clark, Bill Justice, Dick Lucas, Phil Duncan - I hope there were no finger injuries from the bowling ball the next day...

Disney Bowling TeamsDisney Bowling Teams
(Click on either image to enlarge...)

Abbreviations: I surmise that Ga. is Game(s), Ser. is Series, T.P. is Total Points, H.G. is High Game, H.S. is High Series, AVE is Average.

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Monday, July 20, 2009

One Small Step for Man...


On this day of the 40th anniversary of the landing of the first man on the moon, I would like to offer the patent to the Rocket to the Moon attraction as it was installed in Tomorrowland in Disneyland in 1955 and lasted until 1966. It bears Walt Disney's own name as the inventor, and was filed - just as the Circarama patent - on July 17th, 1956, one year to the day after opening day, the day we celebrated on Friday. For more info see on Yesterland.

I do not know if one of the attorneys was related to Ken Mattingly, the Flight Commander of Apollo 16. Coincidence?
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I, too, was glued to the tv that day (night!) in 1969 in Holland...

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Friday, July 17, 2009

Disneyland 54 Years Today

Congratulations to Disneyland on it's 54th birthday!

Here is a little in-house article from May/June 1964 about the preparation for Disneyland's "Tencennial" celebration in 1965, when a year was still 12 months...
About Disneyland's Tencennial<< Click to enlarge!
This morning also marks the retirement of Disney Imagineer Marty Sklar after 54 years with Disney, with a window on City Hall in Town Square. Marty will continue his work for the Ryman Foundation.

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Tuesday, July 14, 2009

Screenland Contest - Feb.1935

Here is one contest that I would not want to win the first prize in!'

Seeing that a pair of large Mickey dolls sold for some $144,000 at Hake's recently, and with even the 11th prize, an uncut Waddle Book being near unaffordable, the $100 first prize is at this time a laugh, to say the least. Any single one of the prizes (except the Hinds products, I would think) is now worth at least several times that. One should, of course, put it in the context of the Great Depression. But still. Look at the three fourth prizes! Suitably framed!
Screenland Contest Feb 1935<< Click to enlarge!
This February 1935 Screenland magazine also includes an article on Walt Disney, which I will return to shortly.

Happy Bastille Day to all the French readers (if any)!

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Saturday, July 04, 2009

Prod. UM3 - The Whoopie Party

One of my favorite fun Mickey shorts is the abundantly musical The Whoopee Party, released 09/17/32. Directed by Wilfred "Jaxon" Jackson, it was animated by Hardie Gramatky, Eddie Donnelly, Les Clark, Dave Hand, Johnny Cannon, Norm "Fergy" Ferguson, "Frenchy" de Trémaudan, Ben Sharpsteen (and unnamed crew of trainees), Tom Palmer, Jack King and Dick Lundy.

IMDb mentions Maude Nugent as composer of "Sweet Rosie O'Grady" as part of the score in this upbeat short, which can be found on the 2002 Treasures DVD set Mickey Mouse in Black and White...
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Happy Fourth of July to all who celebrate it!

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