Prod. 2069 (Alice) - Seq. 03.0 - Doorknob

"Alice and the Doorknob" is directed by Ham Luske, and wonderfully animated by Frank Thomas (Doorknob) and Ollie Johnston (Alice), with scenes by Hal Ambro and George Rowley, an Alice by Les Clark, a hand by Blaine Gibson, with effects animated by Josh Meador, on layouts by Charlie Philippi...

Prod. 2069 (Alice) - Seq. 02.0 - Down...

"Down the Rabbit Hole" continues Wilfred Jackson's opening - a small sequence, animated by Harvey Toombs, Hal King, Judge Whitaker and Don Lusk...

Prod. 2069 (Alice) - Seq. 01.0 - Opening

Released in New York 7/26/51, Alice in Wonderland was the film that Walt felt he HAD to produce - if he wanted to or not. The first Leica Reel with David Hall's paintings was prepared as early as July 1939, and though work on the story virtually stopped during the war, it has always been an obvious choice for the studio, and finally followed the immensely popular Cinderella. It is a classic, though maybe not everybody's favorite - and for the estimated $3,000,000 budget, I believe it pretty much bombed at the box-office, though it became a cult film in the 60's.

We start with the simple front page, and then, after the credits, we have Wilfred "Jaxon" Jackson's Seq. 01.0 which introduces Alice, her cat Dinah, her sister, the White Rabbit and the songs "Cats and Rabbits" and "I'm Late". Assistant director Mike Holoboff, layout the immensely prodigious MacLaren Stewart.

	In this draft of 5/10/51 we find the animators Bill Justice, Eric Larson, Hal King, Hal Ambro, Judge Whitaker and Harvey Toombs, with effects by George Rowley and Dan McManus...

I will post this very regularly: the last page is number 146!

Addition (25 Aug 2015): in a comment, Ross asks - how did they make scene 27? Here is a little explanation. Basically the scene was split into two parts, with an overlay added in the middle of the scene when the camera was at the easternmost field. Though there are several ways of splitting the BGs, the version shown here is how it seems to have been done. On the Blu-Ray you can actually see the cut edges of the overlay. Keeping all water on the same (bottom) BG seems logical for consistency; splitting it can be tricky, since it is a subtle wash, and if it were split where the front right water seems "on top," the leaves of the overlay (or BG2) would pop on. There would not be difference in George Rowley's rather simple water effects either way. However, there seem to be several water levels.
Here are the background and overlay split up:
Click on these two images to see it explained. It's really very simple. Mac Stewart may have had fun with this...

Journey to Saturn Blog

A. Film's feature for 2008 is called Journey to Saturn, and is based on the Danish comic book from the 70's by the late great Claus Deleuran. Director Craig Frank has made a blog highlighting the techniques used in this film that sort of is a return for us to a style we first dabbled with on our successful Terkel in Trouble. Journey to Saturn (in Danish called Rejsen til Saturn) will not be terribly politically correct, I fear, but if it doesn't stray too far from the book, one of my favorites, it will be a lot of fun! (Link added on the right...)

Ray Bradbury Revisited

Since I had a pretty good seat at the event in Club 33 on Halloween night, I was able to use my little photo camera to shoot some video of Mr. Ray Bradbury telling some stories of Walt Disney and Chuck Jones. Excuse the little gap - about ten seconds missing...


Note on Something Wicked This Way Comes: at an event at the Disney Studio theater a week earlier, Mr. Bradbury noted that many others had tried earlier to make the film, and it ended with Ron Miller at Disney - but they got another scriptwriter! This went badly, but the rest of the story can be heard here!

Anyone up for another feature? Since I am in Denmark at this time and working hard, the only one I can more easily show here is Alice in Wonderland. Can you live with that? Happy Thanksgiving!

Prod. RM19 - Donald's Golf Game

Director Jack King picked up this Donald Duck short on 12/6/37. Assistant director Jim Handley, layout by Bill Herwig.
Animation was issued between 12/17/37 and 4/9/38 to Fred Spencer, Bob Wickersham, Jack Hannah, Don Towsley, Lars Calonius and Johnny Cannon.
This draft was prepared 7/22/38, and the film, renumbered as Prod. Nr. 2219, was released 11/4/1938...Trivia from IMDB: "For the first (and only) time, Huey, Dewey and Louie appear wearing, respectively, red, orange and yellow. This proved too confusing, so for their next appearance in "The Hockey Champ" they returned to red, yellow and green."

Prod. CM6 - The Chain Gang

Released 8/18/1930 and directed by Burt Gillett, The Chain Gang mysteriously has Mickey Mouse as convicted criminal, animated by Norm Ferguson, Les Clark, Ben Sharpsteen, Jack Cutting, Jack King, Dick Lundy, Tom Palmer, Johnny Cannon, Wilfred Jaxon, Dave Hand and Charlie Byrne. This was the period where the crew alternated between Mickeys and Silly Symphonies, and scenes were dealt out from the top, first come first serve...For those of you who "arrived late," this is shorts draft number 58 on this blog - you can also find two features (Pinocchio and The Three Caballeros) and three sequences from other features, all as drafts...

Dream Come True for Ray Bradbury

Last night, Halloween night, famed author Ray Bradbury was honored with the dedication of an oak tree in Disneyland's Frontierland in his name as "Halloween Tree." This was his dream come true.
The ceremony at the tree followed a dinner at Club 33 in his honor, "An Evening with Ray Bradbury."

The images depict Mr. Bradbury at the tree, and a close-up of him being very happy. Next to him Imagineer Tim Delaney, who co-hosted the event with Tony Baxter. It was a very warm, sincere evening, and everyone seemed touched by Mr. Bradbury's joy. At the same time, my thoughts went out to Ollie Johnston on his 95th birthday. I hope he is doing well up north with his family...
So many wonderful memories...

Fritz Lang's "M"

Released in Germany on May 11th, 1931, "M" is the gripping story of a child murderer played by Peter Lorre. About 17 minutes into the film, a police investigator asks around in a candy store.
Check out the decorations!

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Ducky Nash on Pantomime Quiz

A still I fell over the day before yesterday: Clarence "Ducky" Nash and his Donald Duck hand puppet with the hosts of the TV show Pantomime Quiz. The date is unknown. Pantomime Quiz ran from 1947, and was later known as Stump the Stars...

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The Duck puppet was made by puppetry legend Bob Jones, who among many other things also made the Pinocchio marionette and maquettes for the Disney studios. I bet the folks living in his old house on Las Palmas in Fullerton do not realize that Stan Laurel swam in their pool!

Somebody Else...

Another thought by Børge Ring:
"HOW DID A NICE GIRL LIKE YOU GET INTO THIS?"

A number of renowned persons in American animation originally set out to become something quite different. Here are some of them:

Walt Disney (director of live action)
Art Babbitt (headshrink)
Joe Barbera (playwright)
Ham Luske (engineer)
Shamus Culhane (archeologist)
Woolie Reitherman (aviator)
Bill Littlejohn (aviator)
Ward Kimball (magazine illustrator)
Eric Larson (writer)
John Canemaker (actor)
Marc Davis (fine arts painter)
Richard Williams (jazz trumpeter)

Of these, Joe Barbera, Bill Littlejohn, Woolie Reitherman, Marc Davis and Richard Williams managed (to varying degrees) to reach both goals.

Some of you probably know of many more;
A select few may have wanted to become jailers or dentists...

Prod. UM9 - The Mad Doctor

Since Jeff Pepper has posted at length here and again here on this short directed by Dave Hand and released 1/20/1933, I thought it topical to post the draft here.

We see animation by Ben Sharpsteen (the junior animators under his supervision are not mentioned here), Tom Palmer, Johnnie Cannon, Hardie Gramatky, Les Clark and Jack King...

Woman Power Revisited

Nearly ten months ago I posted a small article on Bee Selck, a lady assistant director at Disney's in the 40s and 50s, since "women in animation" was the topic around the blogs. It becomes more and more clear to me that this is an area open for a lot more research:
I had a look at who was at the studio in March 1945, and I counted 81 (yes, eighty-one) women at in the animation building alone!!! If we count a handful secretaries, assistant directors and stenographers, we are left with maybe as many as 50 or 60 ladies pushing pencils!

Below is a very short excerpt of the fateful talk Walt held for his employees on February 10th and 11th, 1941. This part deals with the rumour that the studio was hiring women to replace the higher-paid men at the drawing tables. It is still quite male-centric ("Little" Retta Scott), but one senses that he means well...

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The talk itself, which I am not going to reproduce here, by the way, was seemingly fair enough - but the timing and the "angle" were all wrong: it seems to me that if Walt instead of complaining had asked for help from his employees, the strike might not even have occurred. It seems he was councilled poorly - it would have been hard for himself, as Big Boss, to come to this conclusion...

Disney Film Recording Co., Ltd.

Here is a fun ad I stubled over in the 1930 Motion Picture News Blue Book. While using Pat Powers' Cinephone sound system, the Disney brothers became the West Coast representatives for that system, and their recording truck can be seen in the baseball (sound-)footage on the second Silly Symphonies Treasures DVD set...

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Børge on Babbitt

This in from my old mentor Børge Ring:
When the production of theatrical cartoons dried up during the late 1950es a lot of Disney-trained animators moved over to the studios that made limited animation for TV series.
One who did not was Arthur Babbitt...no Flintstones for him. He opted for animating commercials because they had budgets that allowed for full animation. For some years he was heading a department for commercials at Hanna-Barbera winning 80 Awards for them.

"How big was the department, Art?"
"You mean the staff and the whole staff?"
"Yes."
He got up from his chair and into a soldier's pose, arms stretched down the sides and said: "You are looking at it right now."
Sitting down again he recounted: "I had everything made in free lance, even camera. My favourite animator was Irving Spence and I let all commercials be done in full animation regardless of the design style."

After some years he moved to London to the studio of Richard Williams to train Dick's young staff all the while animating on Williams's feature about "The Cobbler and the Thief" and incidentally directing a few commercials.
One day I asked Richard Williams what Bill Hanna and Joe Barbera were doing about their commercials with Art Babbitt over here in London. "Oh" said Dick, "They are so big they don't even know they have a department for commercials."

Here, at the 2007 Disney Legends, 10/10/2007, is Roy Disney introducing Art's bubbly widow, and her acceptance speech.

A Very Good Choice...

Dave R. Smith, Disney Archivist Emeritus, has been the hub of interest for many Disney enthusiasts, myself included. I met him for the first time 8/14/1978, when he personally showed me the collections' highlights and the basement of the ROD building, then the seat of the Archives. He is seen here receiving the Legends award, 10/10/2007. Congratulations, Dave! It is well deserved!

Congrats, Mr. Fun!

Just came back from the Disney Legends awards 2007. One of the recipients is writer and animator Floyd Norman, a.k.a. Mr. Fun.
Here is Roy Disney presenting the award.

And here is the recipient. Congratulations!

Country Gentleman - March 1934

Here is an article that appeared in the March 1934 issue of Country Gentleman magazine, written by a J. P. McEvoy. I quote: "I have often suspected Mrs. McEvoy's little boy Joseph is a trifle dumb" - it really shines through the entire article - it's amazing they didn't throw him out of the studio immediately!

But it is an interesting tidbit anyway. The last column on the last page has a sweet, candid interview with Walt, where he speaks of his feature plans publicly - remember, this is three years and nine months before the release of Snow White! It is also the first and only time I have seen anything from this period speaking about animation to a beat, even mentioning a 4-12 beat...

Changing servers...

As we are changing our website, we are moving it to another server. The image URLs for this blog will for the most part be wrong, but I am working on fixing all 273 postings! If you cannot see images, please excuse me and try again a bit later!
Note: if you are in dire need of information, exchange the www in the link with ftp, making it https://www.afilmla.com/blog/...

[Status: links in all postings back to 6/1/2007 should be ok.
I also fixed all postings on Barsheets and Click Tracks.
Though I don't have time to fix everything yet, I try to fix things that are related to current topics...]

[Update pr. 3/12/08: all links should now be ok!]

Constructing Disneyland

Not normally a topic here, but I do like Disneyland. Especially Walt's Disneyland - he knew what he was doing, and he loved doing it.
I could feel this when I first visited the park in 1978.

Though it of course is a pity that so much of the original atmosphere was destroyed during the Pressler years in the 90s, it is certainly good to find that during and after the 50th celebration the trend was reversed. I have high hopes that this will continue with the new "regime," and I enjoy the park more each time I visit it.

Anyway, I thought this was a nice image, and it goes well with the production papers that give sort of a similar look at the films...

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